Wednesday, 22 February 2012

Long Walk To Digitization of Nigeria’s Broadcasting



By Yemi Olakitan
The switch over date for the digitization of Broadcast Media from analogue in Nigeria as set by the late former President Umaru Musa Yar Adua is June 17th, 2012. Few months to the date, Nigeria is still miles away from realizing the target. Yemi Olakitan examines the need for stakeholders to wake up to the task and deliver on the promise of excellence in broadcasting which is required for national development.


Aside from the importance of broadcasting to education, entertainment and information, the society cannot maximize its development and prosperity without a strong broadcast media which is also required for developing nations to move to the level of developed nations. Broadcast media organizations such as CNN, BBC, and Al Jazeera have contributed immensely to the economic strength of their host countries. Few can deny the power of the media in shaping the destiny of any nation. Powerful media entities have often shaped global perspectives concerning an issue, a person or a nation. Experts have opined that the fine national rebranding efforts of former Information Minister Professor Dora Akunyili failed to have the much desired impact because Nigeria do not have a major media that was globally strong enough to shape international percep
tion of the nation as a positive brand.
Mass communication scholar, Dr. Ibrahim of the University of Lagos, said in a recent lecture that the potentials of the media as a tool for political and economic power cannot be easily measured. This is why nations around the world are moving fast towards the digitization of broadcast media. The global drive is so crucial because, digital format of broadcasting is of higher quality than analogue. According to experts, it enhances sound and picture quality and makes multi channel viewing easily accessible. The introduction of digital television, observers concur, represents the most significant innovation since the advent of television itself. Digital broadcast delivery, in addition to multiplying the number of available channels, will also transform the very nature of the television medium by making it interactive. The process of digitization merges technologies commonly used in broadcasting, computing and telecommunications and offers the potential for a whole range of new applications, such as electronic retail services, Internet access and pay-per-view facilities. The International Telecommunication Union has been on the vanguard of ensuring that all its members made the switch with a deadline fixed for June 17th 2015 and Nigeria has fixed its deadline to June 17th 2012. However, few months to the deadline, Nigeria is still miles away from the dreamland.
Former Minister of Information and Communication, John Nweke Jnr. announced deadline of 2015 as the year for full digitization. In 2007, the late President Umaru Musa Yar-Adua approved that the National Broadcasting Commission (NBC) pilot the country's migration from analogue to digital terrestrial television (DTT) with a new switch-over date of June 17, 2012. The 2012 deadline is an attempt by Nigeria to meet the deadline three years ahead. However, it seems that the late former President was wrong in his assessment of the situation.
The nation faces many daunting challenges. One of the challenges of the switch over date is that of ignorance. Most Nigerians are unaware of the situation and many do not know that their fantastic television sets may no longer be in vogue a couple of months away since they will have to buy either a digital set-top box decoder or a new television. The costs of these can be best imagined among poor Nigerians. It means that all analogue television sets will no longer be useful for the consumers except they get a set up box. This is because for consumers to enjoy the benefit of the migration new television sets would have to be bought by television viewers through pay TV subscriptions. The United States of America has reportedly completed her own switch over about four years ago. Reports say that, even the US had to subsidize the purchase of a decoder for Americans. The project cost the US government about $2Billion. The situation in Nigeria, under the administration of President Goodluck Jonathan does not show that the government is ready to invest in such subsidy for the teeming population of Nigerian radio and television consumers. Observers say, the problems of insecurity, particularly, the Boko Haram saga is enough distraction for the Federal Government. The issue of subsidy removal and the huge corruption in the public sector are some of the problems that might hinder Nigeria from meeting the June 2012 deadline. Besides, the Nigerian media has not given the subject much publicity.
Furthermore, The Federal government’s Advisory Committee on Digital Broadcasting had submitted a report, recommending the adoption of as new broadcast model. President Goodluck Jonathan had on receiving the report, resolved to present it to the National Assembly. The White Paper on that report is still being awaited. This means the federal Government has not given the transition a legal backing yet. Nigeria’s approach to the digitization project seems slow compared to other countries in Africa such as Kenya, Morocco, South Africa and Ghana. Nigeria needs to learn from the experience of some countries that began early digital migration and found the analogue switch-off date unachievable because of low consumer switchover capacity as well as others huge investment the sector requires to be success. Australia had originally planned a switch-off in 2008 but has had to delay to a date to be determined between 2010 or 2012. Another problem is the sole management of the digital transition project by the Nigerian Broadcasting Commission (NBC), a government agency and the exclusion of key stakeholders such as the broadcast companies themselves.. The Broadcasting Organization of Nigeria (BON) must urgently engage the private and public sector in the digital transition project. They must also involve all the state governments who own mostly analogue television and radio stations in order to work on the transition. The federal Government must rise to the challenge so that Nigeria can meet up to global standards of high quality professional broadcasting in the new computer age,

Wednesday, 18 January 2012


What happened To Next Newspaper?
By Yemi Olakitan

When NEXT Newspaper hit the newsstands, everyone that picked up a copy must have thought that the new newspaper brand that would give all the existing major brands a strong competition had arrived in the market. Next was actually a strong brand. It was colourful, classy. It has strong appeal to the newspaper audience in Nigeria. Its contents were accurate and incisive. It has its own style and it was unique. It was difficult to pick up a copy of the Next Newspaper and dropped it without reading it. The photography was excellent. It was something to write home about. Next was really promising. In the first few months of entering the Nigerian newspaper market, it really caught everyone’s attention. It was easy to predict a great future for Next. This was the newspaper that would put the Guardian, This Day, The Punch and all other powerful brands in the industry on their toes. However, this was not to be, as the story soon ended. Next was out of the newsstands as quickly as it came. It could not withstand the stiff completion that came from stronger brands in the industry. At some point, it was publishing fewer stories content than it started with. There were reports of some members of staff taking the publisher to court as a result of unpaid salaries and other allowances. Then it died. Next had followed the paths of other bright newspaper brands such as the National Concord, Daily Sketch, Financial Standard, The Daily Times, The Anchor, The Sentinel and many others. The questions on the lips of curious observers are: why do such promising newspapers die in Nigeria? Why do others succeed? What really happened to Next?
Next was founded and published by veteran journalist; Dele Olojede, who has an impressive journalism career. With over 25 years in active journalism practice, not many journalists can rob him of his place in Nigerian media. Olojede was the former foreign Editor of the New York Newsday and a Pulitzer Prize winner. He has worked in more than 85 countries and has been published in the world’s leading newspapers and magazines including: The Economist and The Financial Times. He also has an impressive management team that would make any media organization gaze with envy.
His Chief Operating officer was Bayo Oyewole who was the Regional Compliance officer and chief of staff for the Americas and EMEA region of Siemens Health care Diagnostics in New-York. His vice-President was Kofo Awonuga who was the CFO for Johnnic Communications West Africa, the regional subsidiary in Lagos of the South African media conglomerate that controls Business Day and several other properties in Nigeria. Toni Kan, the Director of Marketing and strategy is an accomplished author and former Head of corporate communications for Visafone, Nigeria. This is a glimpse into the impressive profile of some of the members of the management team that ran the affairs of NEXT.
What could have gone wrong with such an impressive team? In a statement released by the publisher, Olojede, he said, ‘‘We started with the basic premise that we would provide news and informed opinion fairly and accurately to the public, based on the best judgment of the editors and none other, uninfluenced by money, political or other affiliation. We believed, and still do, that an informed citizen will ultimately become a good citizen, and good citizens are the best guarantors of a fair and just society. We stake the bold claim that when citizens are armed with the facts, they will, we hope, make better decisions to ensure the progress of their communities for the common good. Our journey so far has been challenging and exhilarating. We have by all accounts done some of the best journalism anywhere, compelled our audience to face our true condition with sober senses, and stood up for decency, honesty, and human dignity and fairness. But we miscalculated the high price of honesty, and it's no secret that we have not been doing well as a business. Our journalists and all our staff have sacrificed greatly, but we will not give up.
As we consider how best to turn NEXT into a self-sustaining enterprise, we thought we should try to remind you of some of the work we've done in less than three years, as an indication of what is to come.’’
Olojede seemed to attribute the cause of Next’s failure to honesty in the statements quoted above. Can honesty and integrity ruin a business enterprise? We gave this question to Mr. Gbolahan Fasasi, an entrepreneur, who said, honesty is usually a source of strength in building a business. A business that runs on such values will create a sense of trust in the minds of its customers or clients. Speaking further, he said, honesty is an essential attributes in building a successful brand. He was of the opinion that instead of honesty to destroy a business, it would strengthen it. ‘‘This is because customers people will always do business with an organization they trust.’’ He said. Another businessman, Bayo Fayemi supported this stand. He said ‘‘honesty couldn’t bring a business down; instead, it will uphold it. He was emphatic in its answer that honesty cannot ruin a business, rather he said, a successful enterprise cannot do without such important values as honesty, integrity and customer service. It is the absence of them that makes a business insolvent. However, It is possible to take honesty too far. One can be so honest that one will refuse to receive money or other benefits that rightly belong to one as a result of personal or corporate philosophy even when such monies are not against the law. Therefore, in pursing, honesty in business, one must be able to draw the line between what is right and what is in one’s business or professional interests,’’ he said.
What then was the cause of Next’s failure? Some observers said that Next went daily too soon. Perhaps it should have waited a bit longer before going daily. The company, Timbuktu media started the newspaper as a weekly publication with plenty of arts reviews and stories. Next on Sunday was everyone’s delight. It was argued that Timbuktu media should have allowed a longer gestation period, for Next on Sunday to stabilize as a strong brand before attempting to go daily. It meant that Next went daily too soon.
Another argument was that Timbuktu did not have enough financial muscle to continue to invest in the brand long enough for it to become profitable. Efforts aimed at contacting the management team for more revealing information proved abortive. Tony Khan, who was Director, Marketing and strategy refused to talk about Next. ‘‘I will not talk about Next, any other issue is welcome but I will not talk about Next,’’ he said. Arts journalist and media consultant, Tajudeen Sowole, however said that the company may be down but not out. The team may just be in recess trying to re-launch in a bigger form. In another chat with veteran journalist, Economist and Guardian Columnist, Chief Bayode Ogunmupe, he said, ‘‘the death of newspapers in Nigeria is usually caused by overstaffing, duplication of duties, wasteful spending and poor allocation of resources. ‘‘For instance, a newspaper will have a fully staffed Abuja bureau, yet editors would fly from Lagos to Abuja to interview public office holders instead of instructing their staff in Abuja to do such assignments.’’ He said.
However, The good news, he said is that Next is still online and many Nigerians at home and in diasporas are still reading its online version. Next has described itself has an integrated media platform, that combines the traditional newspaper with a service that provides news and information on mobile devices, the Internet, Radio, as well as other broadcast and digital platforms. ‘‘Our goal is to produce the highest quality journalism, backed by integrity and credibility. Our long-term strategic goal is to broaden the scope of the business platform considerably, and to infuse our high standards into these businesses. The company will leverage different forms of digital media to produce news and information to our constituents.’’ The statement says.
Indications point to one thing, whatever the reasons for the failure of Next; It is clear from the company’s public statements that it is not about to give up. In the words of American Church leader and motivational speaker, Robert Schuler, failure is never final and success is never ending. Business coach and founder of the Lagos Business School, Prof. Pat Utomi, said, a dream will not die, if we are willing to bear the price and do the work. Perhaps, in building a newspaper brand, temporary failure is part of the price of eventual success. In a report by Newspapers Association of America it says, Newspaper in the world have not exactly been leaders in thigh tech-driven global business landscape. However, they are gradually beginning to see the Internet as central to their future. In recent times, Newspaper Internet advertising topped over $2 billion in the United States. Visitors to newspaper Web sites are increasing on a daily basis. Other international strategies that newspapers can use on the Internet are to translate their web contents to other world languages such as French, Arabic, Chinese and German. This will give newspapers more audience on the internet and increase online advertising revenue. One can only hope that Olojede and his team would find a strategy that is good enough to re-energize the dream that drove them. To create Next and learn from whatever mistakes they made.

How Alex Ibru Used the Media as a Tool for Societal Emancipation

By Yemi Olakitan




When it was announced that the late Alex Uruemu Ibru, founder of the Guardian Newspaper has passed away, numerous observers were quick to recollect his celebrated escape from the hands of hired assassins who were sent to end his life under the administration of the late military dictator, General Sanni Ababcha under who Alex ironically served as a Minister of Internal Affairs from 1993 to 1995. Alex was a symbol of Nigerian journalism and freedom of expression although; he was never an active reporter. Many have observed with curious enthusiasm the hidden intention of the late dictator when he appointed Ibru as a Minister. It was clear that the junta wanted Alex to use the highly respected newspaper to promote Abacha’s political agenda in Nigeria. Abacha failed to remember that the motto of the Guardian Newspaper was Conscience nurtured by Truth, a motto that the newspaper had stuck with to this day. This has earned it immense respect in Nigerian journalism and placed it in a position of honour since it stood by its avowed codes of conduct. Ibru believed that journalists who loves the profession and are willing to use the media as a tool for societal emancipation should run the Guardian. Trouble started when the Guardian, contrary to Abacha’s expectations remained critical of the military junta. Ibru could have used his position as the chairman of the Guardian Newspaper to influence editorial content in favour of Abacha but he did not do this even at the risk of his own life. Alex succeeded in making the Guardian newspaper a force to be reckoned with in Nigerian journalism. He believed in the truth and he did not accept that truth should be purchased with money or even position. He therefore allowed his editors to practice journalism without any parochial interest and express what they sincerely believe, in accordance with the dictates of their conscience. This stance has earned the newspaper, the title: flagship of Nigerian journalism.
Anyone who is a journalist or has anything to do with the media at one time or the other has something to do with the Guardian. This is the high pride of place that Ibru’s integrity has placed the Guardian Newspaper. He allowed the Newspaper to serve as a tool for mass communication and professional journalism practice with a sense for national responsibility. The success of the Guardian Newspaper was an inspiration to other Nigerian newspaper and news magazines such as News-watch magazine, Tell, Tempo, The week and many others who were responsible for the emergence of guerilla journalism in Nigeria. It led to the rise of a Nigerian media that was determined to oppose anti democratic forces despite persecutions from the government.
An example of this scenario was the Nigerian press during the years of military rule. The Buhari and Babangida regimes utilized draconian legal instruments such as Decree 2 and Decree 4 to disturb the media. The notable collisions of press freedom and military dictatorship resulted in the incarcerations of many reporters under those regimes. Under the Babangida era, the suppression of the press was fired up with the parcel-bomb killing of Dele Giwa and the proscription of Newswatch magazine. The Abacha junta also declared war against the press. Reporters were tried as conspirators in coup-plots and jailed without appropriate trials. The regimes murdered journalists such as Bagauda Kaltho. Security operatives’ harassed even newsvendors while The Guardian were shut down on 14 August 1994. The assassination attempt on Ibru On February 2 1996 left him with one eye. His car was sprayed with machine gun fire from men who had trailed him in a deep-blue Peugeot. Both Ibru and the editor-in-chief Femi Kusa were flown to England for treatment of their injuries After Abacha's death in 1998, his Chief Security OfficeR, aL Mustapha and others were charged with the assassination attempt on his life/
Abacha’s demise in 1998 and the return to democracy in 1999 were seen as a much-deserved victory for the Nigerian press.
In addition, Alex ibru was able to simultaneously craft the Guardian Newspaper into a successful business operation without compromising those high values. It is clear that the media entrepreneur must focus on two goals: truth and profit. Truth is the correct information to give to a society and a society that must move forward require knowing the truth and nothing but the truth.
A newspaper is also a business and requires profit to validate its existence. Ibru was able to achieve this and this is what all media entrepreneurs should take from him; the ability to stand firm for the truth and to sustain the media enterprise as a profitable business.
A publication devoted to truth should yield profit. This ideal situation is also the rarest. Media entrepreneurs all over the world also find it necessary to balance the two objectives and it can be a delicate situation. The goal of truth is subordinated to the bottom line. It is in this tragic situation that the Nigerian press sometimes finds itself.
Ibru was also able to detach himself from the newspaper. He refused to influence the newspapers editorial content while holding to his post as a businessman. He gave the journalists freedom to do their job. According to Debo Adesina, the present editor of the Guardian, the newspaper will outlive Ibru and continue the good work.
Ibru was born on 1 March 1945 in Agbhara-Otor, in today’s Delta State. He attended the Yaba Methodist Primary School (1951-1957), Ibadan Grammar School (1958-1960), Igbobi College, Lagos (1960-1963) and the Trent Polytechnich in the United Kingdom (1967-1970), where he studied Business Economics
Alex Ibru was appointed chairman of Rutam Motors. In 1983 he met with newspapermen Stanley Mecebuh of the Daily times and Dele Cole also formerly of that paper and Segun Osoba, formerly of the Nigerian Herald. With 55% funding from the Ibrus, they launched the Guardian newspaper in 1983, with Alex Ibru became the chairman. Ibru also provided funding to the Civil Liberties Organization (CLO), established during the military regime of Buhari's successor, General Ibrahim Babangida.
Alex Ibru died on 20 November 2011, aged 66


A Closer Look at community Radio in Nigeria
By Yemi Olakitan



The benefits of community radio in the socio-economic development of a nation have been described as enormous particularly in a developing country such as Nigeria. The experience of other developing nations in Africa has shown that community radio contributes to the economic, democratic, social, cultural and agricultural growth of a nation.. It helps to solve health problems, disseminate information faster, it promotes education, and eradicates ignorance and empower people’ giving voice to the voiceless. Reports from other countries have shown that community radio helps in eradicating poverty and contributes immensely to the prosperity of a developing economy such as Nigeria. Community radio is actually important for a successful democracy and governance with the huge population of Nigeria and its diverse communities, cultural and language differences. Community radio, if used correctly can bring peace and stability to a nation, and contribute to successful governance. This is because of its capacity for public enlightenment, education, and mobilization and social reconstruction.
Despite the huge benefits of community broadcasting Nigeria is yet to take advantage of its huge potentials in tackling the nation’s innumerable problems. In 2006, former President Olusegun Obasanjo declared that Nigeria would embrace community radio. The president said that the high illiteracy rate of 67 percent in Nigeria was totally unacceptable. He declared that about 73 million young girls were not receiving any education in Nigeria at all. According to him, such a situation must be addressed if Nigeria must move forward as a nation. The importance of community radio broadcasting cannot be over-emphasized because Nigeria has enormous governance and development challenges to tackle and overcome. This is demonstrated by basic social data in a few key sectors. In the health sector, a report says, maternal mortality stands at 800 per 100,000 live births; infant mortality rate is 100 per 1000 live births; prevalence of HIV/AIDs stands at 3.8 per cent, and live expectancy for the average citizen is 43 years. In education: although the country’s 1999 constitution provides that the government “shall strive to eradicate illiteracy”, general literacy rate still stands at 67 per cent. Over 65 per cent of the country’s 140 million people live below the poverty line. Nigeria was ranked 158th out of 177 countries in the 2007 annual Human Development Index of the United Nations Development Programme, UNDP. Community radio can help solve these problems. It can sensitize the highly illiterate population on the dangers and fallacy of violent religion particularly in the northern part of the country, and sensitize the populace on security issues.
In 0ctober 2010, while declaring open the 8th biennial conference of Africa broadcasters held in Abuja President Goodluck Jonathan empowered the National Broadcasting Commission to license Community radio Stations in Nigeria without further recourse to the presidency provided such applications meet the stipulated conditions by law. Represented by Vice President Mohammed Namdi Sambo at the event, the President disclosed that, “Consequently the Federal Executive Council has considered and approved the guide lines proposed by the National Broadcasting Commission for the Licensing of Community radio in Nigeria. Months after President Goodluck Jonathan's pronouncement of the devolution of power to the National Broadcasting Commission, NBC to issue Community Radio Licenses, the directive has not been supported by concrete action from the Presidency, although the commission has given licenses to certain communities, particularly in the academic environment such as university of Calabar, the university of Lagos, the university of Ilorin and the National Open University. This, according to experts is merely a drop in the ocean considering the huge population of Nigeria, her diverse and pluralistic communities and cultural and religious differences. Community radio can used to promote harmony, peace and unity.
Globally, community radio is now recognized as a development medium, which gives participation to all for a pursuit of even development and sustainable growth of any society. According to reports, Nigeria remains the only country in West Africa where community radio is at infant stage. One of the most important reasons for having community radio is so that members of the community can speak to one another and to those outside their community about the issues that matter most to them. A village radio in a typical farming community in Nigeria will be useful in discussing and or announcing weather conditions, new seed hybrids, the problem of fertilizers and how to solve it; new methods of processing raw fish or drying melon; market days, meetings of farmers' union among others. A community radio can help the community to organize itself. A community radio can easily become the medium for mobilizing people to solve common problem or address a common issue. Community radio can bring development to the community. Information about health and disease control can be discussed on radio with community members Interacting with health workers. A community radio helps a community to realize the abundant resources it has for solving its own problems. It expands the list of options that a community has. For example, if there is an invasion by birds in a rice-farming community, a community radio can organize a group discussion where members of the community discuss various options for tackling the problem. From such discussion will emerge options that people had not thought about as individuals. It can bring government attention to the needs of the people. Community radio can help make this need a priority to the clinic management. It can be a medium for addressing and solving the problem posed by insecurity, poverty, natural disasters, harmful cultural practices, infrastructural decay and so on. A community radio will bring cultural development and relevant entertainment to a community. Very often, people in the rural areas are made to listen to foreign music. Local artists will feature prominently on community radio for the enjoyment of the community. This will encourage the artists to do more. Community radio can serve as a way to preserve and renew a community's cultural heritage. A community radio has advantages for individuals also: It provides relaxation and entertainment. It provides advice and information to individuals to help them in making decisions. It increases their understanding and enriches their knowledge of issues. It promotes creativity. It guides social behavior by offering role models. It promotes avenue for individual self-expression. It can move individuals to action by inspiring them. It provides topics for conversations and by that promote interpersonal relationships, moral values and cultural developments. When one look at all this benefits to the nation there is only one conclusion, Nigeria must set up more community radio stations. The federal government, state government and local government must step their activities on the issue of community radio in Nigeria.


ADVAN Awards 2011: Rewarding Marketing Excellence
By Yemi Olakitan



It was all glitz and glamour at Oriental Hotel, Victoria Island as the Advertisers Association of Nigeria, ADVAN, staged its yearly ADVAN awards for marketing excellence amidst pomp and pageantry. Men and women attended the event from all walks of life particularly from the media and marketing communication sector. All the nominees and winners at the event came with friends, customers and well-wishers. It was indeed a night of glamour and the celebration of excellence in marketing communication. The event started with a welcome address by the President of ADVAN, Mr. Kola Oyeyemi. The President welcomed guests to the event and explained the importance of the awards to the marketing communications sector. He said the aim of the awards was to encourage innovation, creativity and originality. He stressed that the intention of the yearly event was to celebrate and encourage professional excellence in marketing communications. According to him, the ADVAN awards will serve as a platform for all stakeholders in the industry to fraternize and reassess creative progress in marketing. It will be a yearly rendezvous for everyone who is engaged in marketing communication strategies. He was convinced that such an event would contribute immensely to the growth and development of marketing in Nigeria.
Other industry personalities at the event included, Rufai Ladipo, the Chief Executive Officer of STB McCann, and the President of The Association of Advertising Agencies of Nigeria. ‘Triple AN’ There were numerous advertising elders at the event. Some of them are: Vice President Lanpe Omoyele of ADVAN, Treasurer, Bimbo Alabi, PRO, Oluwafemi Adediba, and other ex-officers such as Bayo Oke and Tony Agenmnomne who is the chairman of the ADVAN award committee, 2011.
Mr. Agenmonmen in his speech said the watchwords in ADVAN awards are credibility and integrity. According to him, the awards were given on merit and they are not for sale. According to him, his association is aware of awards merchandising in the country, stressing that a lot awards in Nigeria today have been commercialized. He insisted that ADVAN awards are not for sale and that the jury have been carefully selected and they consists of men of excellence and good reputation. According to him, the ADVAN awards would promote excellence and shun mediocrity. He expressed his association’s gratitude to MTN, Nigerian Breweries and other sponsors for their support and sponsorship. There was a brief lecture on the topic: Marketing in the midst of crisis and opportunity. Mr. Opeyemi Agbaje, a marketing expert, gave the lecture. He spoke on the impacts of the global recession of the year 2008 and 2009 and their effects on marketing. In his words, ‘‘ Inflation was over 15percent. There was a problem in the financial sector and great slump in real estate prices. People are still predicting the possibility of a second recession. It seems that America and Europe are not really out of the recession while the rest of the world did. The problem of infrastructural collapse and that of corruption still persists in Nigeria. However, in the midst of these problems, we can still find hope, ‘’ he said.
Using the telecom sector, as an example of what is possible, he said, the telecom industry has grown in leaps and bounds stressing that the capacity of the Nigerian telecom industry is enourmous. ‘‘The telecom company can conveniently place a phone in the hands of every Nigerian. There is a huge untapped resource in Nigeria. There is opportunity in tourism, transportation, entertainment, education and manufacturing. In the midst of the Nigerian undervelopment, there exist great potentials. All over Africa, Nigeria film and music is the lingua franca in many lands. There is an increasing preference for entrepreneurship rather than job seeking among Nigerians. He called for an exploration of the opportunities in Nigeria. ‘‘We must look at the underdevelopment as an opportunity and not a curse.’’ He stressed.
Honorable Minister of culture and tourism, Chief Edem Dike who was present at the event asked the marketing communication sector to market Nigeria to the outside world just as they are marketing other brands. He recounted the huge and enormous resources and opportunities in Nigeria and called for a new vision in branding and promoting the blessings of Nigeria instead of her shortcomings. Lagos state Governor, Babatunde Raji Fashola who was ably represented by Mr. Lateef Raji expressed the Governors appreciation for the marketing communication sector. He called for a continuous focus on the value of excellence and productivity in the industry.
Winning brands at the event included, star Larger Beer, which took the campaign of the year awards for the television category. In the campaign of the year awards for radio, Lifebuoy won. The campaign of the year award in Print Media went to Bournvita while Cowbell won the brand of the year overall Award. The honorable Minister of culture and tourism who was present at the event presented this Brand of the year Overall Award. There was a special musical performance from Dbanj, Wande Cole, Zeed and other Mo Hits Records musicians, headed by Don Jazzy. Veteran musician and Afro-juju maestro Sir. Shina Peters rounded up the show, and played his brand of juju music with his band and team of female dancers backing him up.

Thursday, 27 October 2011

RENEGADE THEATRE: IN THE SERVICE OF THE OLYMPICS

By Yemi Olakitan



When renowned UK based Theatre Company, Shakespeare Globe announced plans to celebrate the London 2012 Olympic and Paralympics games with a unique multilingual Shakespeare project, few people realized that Nigeria’s Wole Oguntokun and his Renegade Theatre would be one of the 38 international theatre companies that would be chosen for the six weeks theatre fiesta. Renegade theater recently organized a public audition in preparation for the Globe theatre’s plans to host all the Shakespeare plays in a single season beginning on Shakespeare’s birthday, April 23rd, 2012. Renegade theater audition took place at its Yaba office. There was a large turn out at the audition. Over a hundred people attended and it is not finished yet. According to Oguntokun, Renegade theater will be performing at the Globe theatre alongside various companies from different parts of the world who will perform all of Shakespeare’s plays in different languages as part of the celebrations, marking the Olympics Games in London. ‘‘This project is perhaps, the most daring Shakespeare project ever attempted. It builds on multilingualism, a tradition of Shakespeare production in London and a celebration of the multi-cultural identity of the city of London.’’ Says Oguntokun.
While Shakespeare’s Globe project forms part of the London 2012 Cultural Olympiad and celebrates international cultural collaboration, the company will also celebrate its 15th birthday in at the same time. This is an example of artistic activities that have established the theatre as an indelible part of the national and international theatre landscape and welcomes hundreds of thousands of people a year from around the world to its annual summer season and a wide variety of educational projects on the theatre. Within the season, the theater company will stage one production, and leave the remaining 37 plays for the invited theatre companies from around the world. A production from one of the world’s greatest Shakespearean directors, Eimuntas Nekrošius will be staged In Lithuanian language. In Urdu language, Pakistani TV star Nadia Jamil will step on stage as Katherine in the Taming of the Shrew. In Greek, there will be a visit from the National Theatre of Greece with one of Shakespeare’s Mediterranean masterpieces. In Aboriginal languages, for the first time, a co-production of King Lear from the Malthouse Theatre and Bell Shakespeare Company will be staged.

In Maori, a new production of Troilus and Cressida starring Rawiri Paratene comes on stage. In Shona language, The Two Gentlemen of Verona will be presented by Zimbabwean actors, Denton Chikura and Tonderai Munyevu; In Turkish, a production from the immensely popular Istanbul theatre Oyun Atolyesi; In Spanish, the Madrid-based company Rakata, who specialize in work from the Spanish Golden Age will come with a production of Henry VIII; In Mandarin, a history play from the National Theatre of China; In Portuguese, the return of the celebrated Grupo Galpão from Brazil; In Italian, Cometa Off Theatre will be coming with a new production of Julius Caesar; In British Sign Language, a groundbreaking production of Love’s Labour’s Lost comes from Definitely Theatre; In Cantonese, Hong Kong director Tang Shu will be staging Titus Andronicus. In Arabic, a musical version of The Tempest emerges from Sabab Theatre. Oguntokun said, Renegade Theater is the only company that is invited from the West African sub-region. The company would stage Shakespeare’s the winter’s Tail in Yoruba language. The play, which was translated by Ayotade Ipadeola, will answer to the directorial skills of Oguntokun. ‘‘Every company will perform a play in one day. There are companies from South Africa, Indian, South Sudan, Germany, and many others. There are only five theatre companies from Africa and we are the only one from Nigeria. This is a great honour for all of us,’’ he said.
Oguntokun’s Renegade theatre began in1998 when he staged "Who's Afraid of Wole Soyinka?", which criticized the Nigerian Military in government.
He produced and directed the play at the University of Lagos' Arts Theatre. He was a pioneer of the "Theatre@Terra project which regularly stage Nigerian plays at the Terre Kulture arts center in Victoria Island, Lagos
Oguntokun is one of Nigeria's most consistent theatre activists with plays being produced every Sunday at the venue. He has produced and directed numerous plays by many of Nigeria's best-known playwrights including Wole Soyinka's (Kongi's Harvest, Madmen & Specialists, The Lion and the Jewel, The Swamp Dwellers, Death and the King's Horseman, The Strong Breed, Childe International, Cam wood on the Leaves, The Jero Plays); Femi Osofisan's Morountodun, Once Upon Four Robbers, The Engagement, The Inspector and the Hero; Professor Ola Rotimi's The Gods are not to Blame; Zulu Sofola's King Emene, Wedlock of the gods, Wizard of Law as well as Athol Fugard's Sizwe Banzi is Dead. Renegade theater will also be performing at FESTINA, the yearly festival of theatre, which is organized by National association of Theatre Arts Practitioners

Saturday, 22 October 2011

Government must Do More To support the Fashion Industry- Fayemz



By Yemi Olakitan

Adebola Fayemi is the CEO of Fayemz, a fashion label that has become a household name in the Nigerian fashion industry. The fayemz fashion company is known locally and internationally as a top rated African fashion label. A graduate of Graphic Arts from the Federal Polytechnic, Ibadan, Fayemi has spent most of his life as a fashion designer, having invested more than 20 years in the sector. His designs cut across different age groups and he caters to the clothing needs of the average urban middle and upper class Nigerian. In this interview with Yemi Olakitan, he speaks on challenges facing the Nigerian fashion sector among other issues. Excerpts

The early Days
I worked with an advertising agency before I decided to start a fashion Company. I left the advertising industry because fashion has always intrigued me and I know that I can do some great things there. The reason why I went into advertising was because I studied Graphics Arts and that is the place where we are most needed. On the other hand, fashion was an entrepreneurial calling. One of the challenges of the early days was the high turn over of staff because a lot of young people are not always patient and relaxed enough to learn. They are always looking for greener pastures.

His fashion shows
We had a show focusing on children fashion recently. It was a fashion show hosted by a school. We were able to showcase some of our designs using children models. It was great. The children modeled throughout. I decided to pay some attention to children designs because I realize that even the kids need to look good. The parents and the kids had so much fun and everybody felt great. This day, it is no longer an uncommon thing for kids to participate in fashion shows. It looks good and it adds another perspective to the show. We are always creating new designs every now and then. We made clothes for children as well as adults and we are planning other shows very soon to build the Fayemz brand further. The children fashion show was meant to sensitize the public on the different styles and designs on the Fayemz fashion label. We have designs for everyone, both young and old but that show was targeting the kids.
However, fayemz will be having a fashion show that will showcase all our fashion designs before this year run out. We are gong to have another early next year as well. Preparations are in top gear. I assure you.

Challenges in the industry.
The major challenge that we face in the industry concerns the lack of basic infrastructure particularly inadequate power supply. The other one is the harsh economic realities. What affects me the most as a designer is power. I donate half of my income to power generation. We are on diesel all the time. We are sitting down now here in this office. Lights can go off at any time and we have to run the generator on diesel and this costs money. I mean, you have the consciousness that lights may go off in the next four or five minutes. I know that there are signs of improvement but one cannot rejoice yet because just when you are jubilating that things are getting better that’s when the lights go off. If the government must help the fashion industry, they must improve power supply.
This is what will benefit every entrepreneur and have a multiplier effects on the economy because there will be jobs. If entrepreneur do not spend their money on what can be provided by government, the cost of production will be greatly minimized. This is the major obstacle that most Nigerians face. You provide water, you provide light, you clean you surroundings, if government can take effective charge of power and provide adequate power supply. Then we can concentrate our creative efforts on other areas, which will contribute immensely to the growth of our national economy.
The way I see Nigeria and this includes everybody, is that I see a malnourish child who has tremendous potential but is not flourishing. Nigerians are very resourceful even with the situation Nigerians have shown that they can perform wonders; given a conducive environment. Look at the music industry for example; Nigerian music is being played in the UK and the United States.
The same goes for the fashion industry. Our designers are on the runway robbing shoulders with the best designers all over the world. I don’t think that anyone can ignore the Nigerian spirit of ingenuity and this spirit cannot be cowed by lack of infrastructure and harsh economic conditions. Nigerian designers and musicians are doing their work without any form of government support. Look at private initiative such as Arise fashion. This is commendable but the people that should be doing something like that are the Export Promotion Council but they are not doing it. They are the one that should be organizing trade shows and al that but we thank God for such private initiative like the Arise fashion show.
I travel a lot and part of the reason why I travel is to see other culture. I travel in other to look at the fashion trends there so that I can know what to inculcate into our designs here in Nigeria in order to further promote the fayemz brand and contribute to the development of the Nigerian fashion
Industry. If I don’t do that, the customers will get bored with our designs and begin to prefer foreign brands. I like to go to countries like Tokyo, Thailand, Indian and look at the styles and designs because these countries are very rich in culture and style. I do not limit myself to Europe and the United states.

Words of Advice to younger designers
The harsh economic situation will not affect designers if we are serious about creativity because no matter how bad things may be people will always want to look good. People still travel to see their families abroad and spend money on holidays. The people who don’t have and the people, who have, always have. There will always be demand for good clothes. We must define our brand. At Fayemz, the kinds of clothes we make are ethnic incline and we make clothes for urban, middle and upper class Nigerians. Therefore, we always have demand for our clothes. It also depends on proper positioning and good marketing strategy. There are people who make good clothes but do not know how to market them. If you have your factory in Sango, for example and you have your shop in the same locality, this will affect your sales and the caliber of people who patronize you. Therefore, a designer must know where to place his finished products so that he can get good patronage. You must take your products to the people who will put good value on them.


Government must Do More To support the Fashion Industry- Fayemz

Government must Do More To support the Fashion Industry- Fayemz
By Yemi Olakitan

Thursday, 6 October 2011

PLAYHOUSE UNPLUGGED AT MUSON CENTER

By Yemi Olakitan

It was an evening of the best of musical theatre as the Musical Society of Nigeria, MUSON in association with the Playhouse Initiative staged, Unplugged, a collection of different genres of music performed with a mix of dramatic expressions. This was part of fresh plans aimed at reviving theatre culture at the MUSON Centre in line with the original vision of its founding fathers.
Speaking in an interview, Chief Executive Officer, Marian Akpata, said such a step was necessary since the centre was fast becoming a place for religious and social functions. She said the centre would return to the foundation, which was laid down, by Akintola Williams, Ayo Rosiji and all the great Nigerians who worked tirelessly to build the MUSON centre.
According to her, it is the only way to contribute to the development of theatre arts in Nigeria, saying, “This is why we are staging the musical, Unplugged, which is produced by the Playhouse Initiative. MUSON was built for the enjoyment of musical theatre in all its beauty and what we are doing is to keep that legacy alive”.
Unplugged was a combination of music, dance, and drama sketches. The evening became truly unplugged as the performance traveled through different musical forms. It was a theatrical rendition of about 27 different songs, which were rendered in dramatic fashion with some percussion and jazz instruments over a period of about one hour and forty minutes by members of the Playhouse consisting of young and talented Nigerian musicians. The performances were taken from Andrew Lyord Becham’s plays: Phantom of the Opera, Jesus Superstar, and Cat.
The performance paraded songs from Fela Anikulapo’s Afrobeat and highlife music as well as compositions by Michael Jackson and Bob Marley. The Playhouse group began the show with an opening sketch tagged: This is Playhouse. It started with songs such as ‘Little Innocent Lamb’ and ‘Redemption’ song by Bob Marley. The lead singer’ Bennett Ogbeiwi’ was in shackles as he interpreted the song. His acting blended well with the song as his masterful facial expressions gave emotional fillip to the performance.
The second sketch, ‘Magic of the Broadway’ had songs such as ‘Music of the Night’, ‘That’s all I ask of you’ and ‘Gethsemane’, ‘Could we meet again’, ‘Don’t cry for me Argentina’. The third sketch was ‘Lagos Na Wa’, with songs such as ‘Love wan tin tin’, ‘Lagos Baby’ and ‘Me I like my country’, which was rendered in the spirit of the Nigerian independence celebrations. According to Leye Adekunle, a theatre enthusiast who was at the show, ‘Playhouse’ was a highly creative brand of theatre group in Nigeria and everyone needed to see them in actual performance.
The Playhouse Initiative was formally established in 2007 as a non-profit organisation to mentor young adults, using music and drama as a medium for youth development by Uche Nwokedi, a lawyer and Senior Advocate of Nigeria and his wife, Winifred Nwokedi, after many years of organising and producing musical plays for young people. The vision is to develop a positive way of impacting proper moral and social values to young people in a very special way. The playhouse is involved in some charity projects, all of which are aimed at encouraging young Nigerians to develop their God-given talents. The Playhouse hopes to foster a rainbow coalition of young people from diverse backgrounds through music and drama.
In the last seven years, the founders of the Playhouse have successfully produced several musical plays at the Agip Recital Hall, which include, ‘Joseph and the amazing Technicolor Dream Coat’, ‘Jesus Christ, Superstar’ and ‘The Vision’, all of which received critical acclaim. To date, the Playhouse group has presented a total of 21 performances at the MUSON Centre and other places. The Playhouse has also staged six musical productions as part of the Terra Kulture Theatre project with a standing choral group of about 30 young people and a choir of 16 voices dedicated to liturgical music called ‘The Lagos Schola Contorum’.
According to Executive Director of Playhouse Initiative, Winifred Nwokedi, “Unplugged is a revue; a concept that has its roots in popular American theatre. It is a successful amalgam of several theatre traditions that blends with different genre of music that is performed in one continuous fluid motion”, saying the inspiration to set up Playhouse came as a result of her early childhood experiences as a student in St. Louis Grammar School, Ibadan and St. Gregory College, in the 60s and 70s when arts and culture were a major curricular of the educational system and was a way of developing young people.
She said, “Unplugged is a pleasing musical experience. It is as exciting as it is fresh, a complete entertainment for the family. Playhouse is a call to the Nigerian people to return to the theatre culture.
“In terms of technology, sound engineering, theatre effects, lighting and scenic design, we are behind and we need to catch up. During the time of our theatre heroes such as Duro Ladipo, Hubert Ogunde, Kola Ogunmola, theatre was very vibrant and when these generations passed, there came a vacuum in the theatre that led to the emergence of the home video industry. We have not filled that vacuum yet. We do not have a purpose-built theatre. If you look at the National Arts Theatre and compared that to what is happening abroad, you would see that the world has moved ahead of us in terms of theatre technology and all. We need to move forward because this is our country. We have so much talent, so much human resources that need to be utilized, and so much to do”.
Programme Director of MUSON, Gushi Egbumine also lent his voice when he said, “Playhouse fascinates young and old Nigerians alike”, adding that anyone who loves musical theatre would appreciate the Playhouse performances. Speaking further he said the Muson Centre would always have something to offer on a regular basis, saying, “We are working towards an exciting show every weekend. This is just the beginning”.

About Ojude Oba festival

 The Ojude Oba festival is an annual celebration by the Yoruba people of Ijebu-Ode, a major town in Ogun State, Southwestern Nigeria. This v...